July 2021
If you haven’t already – don’t forget to join the club!
Remember you need to be a member of our club to use the facilities and have first access to join the workshops.
shorncliffepotteryclubincmembership@hotmail.com
Being Respectful, Feeling Safe
The club’s Code of Conduct was written to guide the safety and respect of members. Developing friendships, being co-operative, sharing ideas and skills as well as being respectful to each other in words and actions is something in which the club takes great pride. When members are working in the SPC Inc. studio or interacting with other members via electronic means, everyone has a right to feel safe and not harrassed.
The Code of Conduct can be found in your membership documentation or you can request a copy from the Membership Officer here or you can read it here.
Help Please
Since incorporation Shorncliffe Pottery Club has been running with a core committee of seven. Within this committee the members have multiple roles. These roles are ongoing and necessary for the smooth running of the club for its members. There are other initiatives and opportunities available to the club, but we would like some more assistance to make these happen.
In the day to day running of the club, Gus and Linda are doing a great job managing the kilns and firing, keeping the club clean and the storeroom well arranged. They make sure that everything that members need when they arrive at the club is there for them. To enable the club to be open on more days and to give our two hard workers some time for other things some assistance in the day to day operations of the club would be greatly appreciated.
Tamara our president is currently also doing the role of treasurer. There are many things that Tamara does on behalf of the club especially in making phone calls and making contact with members of our community for assistance and this has been very noticeable in organising the Expressions Exhibition, liaising with SASArt for the Easter Art Show, and in making contact with the Brisbane City Council to secure a lease for the premises.
We are urgently seeking a member to take on the role of treasurer on a more permanent basis. The accounting system we have is very, very simple – no specialised software is involved.
There are many opportunities for clubs to access Grants, such as the Gaming Fund. These funds allow clubs to purchase much needed equipment and to expand and renovate their facilities. The committee has identified items which would make things easier for the members and Grant funding could cover these items.
Thanks goes to Caecelia Skipsey who has volunteered to help write the Grant proposals. Her experience in successfully preparing Grant applications for the Girl Scouts will be greatly appreciated. If you hear of any Grants please email the committee to let them know to pass onto Caecelia.
It has been a yearly and much anticipated event for the Shorncliffe Pottery Club Inc. and SASArt to hold the Expressions Exhibition. However, it was after the Easter Exhibition that the committee members realised that for Expressions to be successful many more volunteer helpers would be necessary. To be able to continue to hold exhibitions, the committee seeks the assistance of some members to form a sub-committee to manage the Expressions Exhibition and exhibitions into the future.
For members, if you find that you can help in any way please contact us on the club email. shorncliffepotteryclubinc@hotmail.com
Zillmere Library Display
Zillmere Library at the corner of Zillmere Road and Jennings Street in Zillmere has offered us a small cabinet, about 1 metre square, to display pots or sculptures in for the month of August. We are looking for members to bring in pots or sculptures to go into the cabinet. It is only a small area so may not be suitable for larger pieces. Bring your piece in by July 27 and let Linda know via email that you are doing so: shorncliffepotteryclubinc@hotmail.com Don’t forget to put your name and clay type on the bottom of your piece.
Club Clay Options and Details
These are the current clay bodies that we have in our store. If you have another clay that you prefer speak to Gus or Linda to see if they can get it in for you.
click on image to enlarge
Club Glazing Process
from Gabriel Knauth
The glazes we have available at the club are designed to be dipped, poured or sprayed. Dipping is the easiest way to ensure an even application, and pouring, with a little practice, is the next. Spraying and brushing takes more practice, time and attention. I love to spray clear glaze over my decorated pots to ensure a thin application. This method is great for large vessels and also doesn’t contaminate the bucket of clear glaze with oxides or underglazes.
Glazing Tips and Techniques
Select an appropriate glaze for your clay body. Earthenware glazes are suitable for earthenware clays. Midfire glazes are suitable for midfire clays. Stoneware glazes are suitable for stoneware clays.
Remove all dust before Glazing by wiping over with a barely wet sponge.
Glazes must be well mixed. I use one of the toilet brushes stored with the glazes as it mixes the glazes easily and doesn’t introduce many air bubbles.
Glazes should be applied to the thickness of a credit card/small paper clip. To check the thickness of a glaze, scrape off a small amount using a needle tool. Once checked, the scratch can be filled in by smoothing out the surrounding glaze with a dry finger.
Glaze all the interiors of your pots first by pouring the glaze in, then rolling it around for complete coverage. For thinner pieces it may be necessary to glaze the insides 24 hours before the outside, to give you a drier form to work with.
When dipping glazes, select a dipping container that is taller and wider than your piece to ensure full coverage. A wide shallow bucket is ideal and will allow you to dip or pour glaze over larger vessels. When glazing, fully submerge the form for three seconds to create an even layer of glaze.
Don’t brush glaze from the big glaze bucket. Pour a small amount into a small container, then briskly stir it occasionally to ensure that it stays properly mixed. Keep a large, damp sponge nearby to keep the brush handle clean. Stray drips often start with a handle full of glaze.
Spraying is the second quickest way to glaze a piece, but there are safety precautions that must be taken when spraying. You must wear a P2 dusk mask to ensure that you are not inhaling glaze particles and you also must use the dedicated spray booth outside. Spraying a glaze on instead of dipping, pouring, or brushing can be extremely fast and easily creates a very even coating.
When removing unwanted glaze, scrape off as much of it as you can with a small metal scraper to keep a sharp line. A damp sponge removes the remaining glaze with a few strokes, keeping water usage to a minimum.
If a drip flows onto a previously glazed surface, stop, set the pot down and wait. Resist the urge to wipe the drip with a sponge. Let the drip dry, then carefully scrape it off with a metal rib. Use a small compact brush to wipe away glaze in areas you can’t reach with a sponge.
When cleaning off your bottoms, push your pot across a flat, damp sponge. The sponge removes some of the glaze from the contact areas, indicating where you need to wipe off the remaining glaze.
Before putting the glaze bucket away, scrape down any glaze from the sides of the bucket, including any dry glaze caked on the sides.
Any excess brushed glaze and/or contaminated glazes can be placed in one of the two “Mystery Glaze” buckets in the back room (stoneware and mid fire). Periodically, we will test these “Mystery Glazes” and make the limited edition colours available with the other glazes.