April 2021
QR Code Now Used for Attendance
At the sign in desk, there is a sign with a QR code on it. A QR code looks like the example on the left. Simply scan the QR code using your Smart Phone camera, enter your details and it will register your attendance. Don’t forget your Membership Number as you will need it to log in. At the end of the pottery session click the ‘Check out’ button on your Smart Phone and you’re signed out. Next time you want to sign in, scan the code and your attendance will be automatically recorded.
If you haven’t already – don’t forget to join the club!
Remember you need to be a member of our club to use the facilities and have first access to join the workshops.
shorncliffepotteryclubincmembership@hotmail.com
Being Respectful, Feeling Safe
The club’s Code of Conduct was written to guide the safety and respect of members. Developing friendships, being co-operative, sharing ideas and skills and being respectful to each other in words and actions is something in which the club takes great pride. When members are working in the SPC Inc studio or interacting with other members via electronic means, everyone has a right to feel safe and not harrassed.
The Code of Conduct can be found in your membership documentation or you can request a copy from the Membership Officer here or you can read it here.
‘Kiln God or Goddess Challenge’ Winners
There was intense interest throughout the challenge as a variety of Gods and Goddesses were created, however after much discussion, the results are now in for the best 2 Kiln Gods or Goddesses, as judged by the SPCI Committee.
The winners are (in no particular order) LYN MICHELL and GABRIEL KNAUTH!
Congratulations go to both of them for their imagination and skill. Each will receive a bag of clay and can feel safe in the knowledge that their creative effort means our kilns and their contents are less likely to be subject to any calamitous situations.
Below are photos of the winning entries assuming their positions on top of the kilns, plus a group photo of the entries. Well done everybody.
All eyes were on one of the firings during this month as pieces experimented with the soda ash and hot water glazing technique as described by Jackie Gasson during the recent hand building workshop. As you can see from the results above the effect is rather good, considering how cheap the ingredients are, it may be an option for your future pieces.
If you are thinking of using this technique, have a chat to the glaze team for tips on how to make the glaze and what to watch out for in the glaze’s application and firing process – as it can be a bit tricky.
Glaze Painting Tips…
TIP 1
Preparation : Before you begin painting, take a sponge and make it slightly damp with clean water. Wipe off your pottery to remove large dust particles. Be sure that your pottery does not get too wet.
TIP 2
Multiple Coats : For a solid, even coat of colour, apply 2 to 3 coats of the glaze. After painting the first coat allow the glaze to fully dry before painting the next coat (it air dries reasonably quickly, but you can use a hair dryer to speed up the process). Try to apply each coat at a different angle to the preceding coat to hide any brush strokes.
TIP 3
Dark Colours over Light Colours : If you want to overlap colours by painting one colour on top of another colour, it is always best to have the underneath colour lighter than the top colour. Darker coloured glazes tend to bleed through lighter colours, and the lighter colour will not show up clearly.
…and Techniques
Sponge Painting : You can use your sponge to directly apply coloured glaze to your pottery. The result is a nice "textured" appearance after kiln firing. You can also vary the texture density and mix colours.
Dots : Use the handle end of your brush to paint clean dots. Only one coat is required, and this is a very fast and easy method to cover your pottery with dots.
Splatter Paint : Coat the bristles of a tooth brush with coloured glaze, and then slide your thumb across the brush while directing the spray toward your pottery. This creates a coat of very tiny dots of coloured glaze. Or you can use paint brushes to create a more dynamic splatter effect - see the youtube video below.
Draw Patterns : Use a pencil to directly trace a pattern onto your pottery, the graphite of the pencil will completely burn away during firing. Do not erase the pencil marks if you make a mistake as the eraser can alter the pottery surface – just draw it again.
Straight Lines and Edges : Use masking tape to create straight lines and edges on your pottery. Place masking tape as desired, then paint over the tape edge. After the glaze is very dry, carefully peel the tape off. See example below.