Group Photo with Cher Shackleton seated in the centre.
WA Woodfire Conference 2022
By Clare Houston
Through a series of fortunate coincidences I was lucky enough to be able to participate in the Woodfire WA 2022 Conference which ran from the 12th of September through to the 17th. It was based at Capel and Nannup, south of Perth at venues organised by Cher Shackleton.
There were around 30 participants at the conference whose ages ranged widely from 18 years upwards. A wide range of experience was also covered and I found everyone very friendly and happy to share their knowledge.
The week was a wood firing and pottery whirlwind, starting with packing a salt kiln and Cher’s Chezzagama wood kiln at a farm in Capel. After the packing of the kilns there was an amazing demonstration of throwing and attaching handles by Ian Dowling. It was the smoothest handle that I have ever seen made, and it was attached and pulled with only a few movements. Ian made it look so easy!
We then fired both kilns simultaneously with two teams working next to each other, and firing the wood kiln through the night. The salt kiln fired in about 15 hours from an early morning start, and the wood kiln took much longer, two nights and two days, about 50 hours in all.
While the kilns cooled we moved location to a property at Nannup, about one hour’s drive south. There we took part in a pit firing under the direction of Mary Wallace, and packed the brand new train kiln.
There were throwing demonstrations by Ted Secombe, who made working with porcelain look so easy, and he showed his hand positions when touching the clay which I found really useful.
Warrick Palmateer was also doing throwing demonstrations. As a TAFE teacher, he was able to give easily understandable explanations about how he was moving the clay on the wheel.
Jackie Gasson from the Sunshine Coast was on hand to advise everyone on applying slips and glazing their pieces and she directed the Raku firings also. Cher Shackleton was overseeing the obvara firing and the horsehair and feathers style Raku.
Stuart McKay showed us how to build a fast fire kiln that he has developed. It is a wood fired kiln made from a 44 gallon drum that can fire to cone 10 in your backyard. There were a lot of people who were keen to have a go at making one for themselves. Stuart also oversaw the firing of two of the fast fire kilns and was on hand to advise us on the best stoking patterns and the best kind of wood to use. There was also a project to make a primitive kiln from fireclay and straw in an adobe style which fired small figurines made from clay.
Jackie Gasson also discussed glaze making, how various ceramic materials melt, and ways of combining them. Her samples were eagerly pored over, and many questions were asked and answered.
Cher Shackleton demonstrated some very interesting hand building techniques, and some ways of working with clay that I would never have thought to try, like using a peg of clay and a stamp to reinforce a join.
Mary Wallace demonstrated her techniques of carving clay and she described her apprenticeship with a Korean master ceramicist whose carved vases sold for as much as a small car! Dan Webb then showed us how to make the carving tools and how to sharpen them.
Martin Baxter talked up through his salt glazed pots and described different effects on clay bodies.
Ted Secombe and Warrick continued with throwing and trimming sessions. They set up next to each other in Cher’s studio and it was great to listen to them chatting with each other and with the participants. They are both very skilled and great teachers, but also humble and with great stories to tell.
The final day of the program was when all the kilns were opened, and the pots were laid out to be discussed and photographed.
It was an amazing week, with great people, and I feel like I learned so much.
Thank you so much Woodfire WA !
Click on images below to enlarge and for captions