Here’s an insane way to apply glaze. Try not to hold your breath as you watch Mayuki Kato add the glaze. She uses the surface friction of the pencil outlines to contain the liquid glaze until it dries.

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Here’s a clever idea to decorate your work. Make a collection of texture stamps from buttons glued onto the ends of corks. That way they can be stamped repeatedly as the cork makes them easy to handle.

Texturing clay edges prior to joining can be a time-consuming job but not with this little invention. Buy a small rubber furniture castor from your local hardware shop (make sure it is rubber and not plastic) and insert wire staples, evenly around the wheel so it creates a tread.

This is a smoothing tool that money can’t buy - a plastic bag or plastic wrap folded in half to make a super finishing tool for wet thrown rims. The folded edge bent over the rim, rounds and smooths the edge in a few revolutions of the wheel.

Use a Strong Point of Contact: Some potters prefer to throw with their fingertips when they throw smaller pots like mugs or cups. They get a better feel of the wall thickness that way.

Stockings of assorted ‘gauges’ are flexible, washable (or cheap enough to throw away) and fine or coarse enough for most clay and glaze sieving needs. Tie knots at the top of the legs, then cut the legs off. The pantyhose section will also fit over a bucket for larger sieve batches.

This image is a link to a youtube video. When you click it a new window or tab will open and display the video in your internet browser. If you find it useful, a good tip is to bookmark the video, so that you can find it again easily.

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Preparation : Before you begin painting, take a sponge and make it slightly damp with clean water. Wipe off your pottery to remove large dust particles. Be sure that your pottery does not get too wet.

Place a plastic bottle top on a wet or thin pot to provide protection for the base whilst turning. The width of the bottle top spreads the pressure over a wider area and lessens the possibility of the base giving way, or warping under finger pressure.

All eyes were on one of the firings during this month as pieces experimented with the soda ash and hot water glazing technique as described by Jackie Gasson during the recent hand building workshop.

To create a join in your clay construction that is stronger than water or slip alone – try using white vinegar. Since clay is slightly alkaline, the acidity of vinegar makes it act like a glue for clay.

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Make sure when you start that the clay you use is the same degree of wetness. One of the major causes of cracks is different degrees of wetness when constructing the piece.

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If you don’t have access to a slab roller, a good way to ensure your slab is even, is to lie two pieces of timber along each side of where you are rolling.

This homemade turntable is easy to make, inexpensive, and works really well. PVC plumbing closet flanges can be purchased at many hardware stores for about $10.

1. ‘Air dry’ pieces for as long as possible.

As Brisbane is a humid climate it can take weeks for greenware (freshly made clay pieces) to really dry out, ready for firing. So, how can you know if your piece still has too much moisture inside?

Use wire racks to dry clay slabs and tiles

Slabs and tiles are especially prone to warping and cracking because they usually have only one long surface exposed to the air, causing the slab to dry unevenly.

When rolling coils, the circular motion pushes any air in the coils towards the ends. Always cut both ends off your coils before attaching them to your project. It may help avoid the pot blowing up in the kiln. (See the coiled jug)